Beurs / La Bourse
Place de la Bourse / Beursplein 1
1000 Brussels
This portfolio review session is free and open to the public.
There are six available sessions, each review lasts 20 minutes per person.
You can only register for one session.
Sessions are in English unless you and the reviewer share another common language.
Please arrive 10–15 minutes early to secure your spot.
Bring your portfolio (printed or digital) with no more than 20 pictures.
There is no need to send your portfolio in advance.
Registration for portfolio reviews opens Wednesday May 20 at 00:01. Click the button below to register.
In this portfolio review session, the photographer offers feedback and guidance to help you improve your photography skills. The photographer will be examining your images with a critical eye, looking for strengths and weaknesses in your composition, technical execution, and overall style. The goal is to help you take your photography to the next level by identifying areas for improvement and offering constructive feedback. You’ll leave with practical tips and inspired ideas to take your photography further. All levels and genres are welcome. Come with your portfolio, questions and an open mind.
Rhiannon Adam (b. 1985, Ireland) is an Irish-British photographer and visual artist based in Brooklyn, USA. Educated at the University of Cambridge and Central Saint Martins, her work bridges documentary and conceptual photography, often exploring the boundaries between fact and fiction, utopia and dystopia. Adam’s projects have been exhibited internationally (most recently in PhotoVogue, Fotografiska Tallinn, and PhEST) and featured in leading publications including The New York Times, Le Monde, Stern, the British Journal of Photography, and Financial Times Magazine.
Rhiannon Adam (b. 1985, Ireland) is an Irish-British photographer and visual artist based in Brooklyn, USA. Educated at the University of Cambridge and Central Saint Martins, her work bridges documentary and conceptual photography, often exploring the boundaries between fact and fiction, utopia and dystopia. Adam’s projects have been exhibited internationally (most recently in PhotoVogue, Fotografiska Tallinn, and PhEST) and featured in leading publications including The New York Times, Le Monde, Stern, the British Journal of Photography, and Financial Times Magazine.